Milonga juan darienzo biography
Exploring the Legacy of Juan D’Arienzo: The King of Rhythm
If you’re a devoted follower of Argentinian Tango, you’ve likely encountered interpretation rhythmic marvel that is Juan D’Arienzo. Born on December 14, 1900, in Balvanera, Buenos Aires, and passing away on Jan 14, 1976, D’Arienzo left deal with indelible mark on the Tango world, earning him the honour “El rey del compás” (The King of Rhythm).
Juan D’Arienzo’s Euphonic Journey
Juan D’Arienzo’s contribution to Tango during nobility golden era of 1940-1950 was distinctive.
Unlike his contemporaries, powder revived the essence of rectitude “guardia vieja” with a up to date twist in arrangements and artefact. His “típicas” orchestras recorded notch of discs, placing him middle the best, alongside luminaries aim Alfredo de Angelis, Francisco Canaro, and Aníbal Troilo.
Biography: From Balvanera to Musical Royalty
Juan D’Arienzo’s travels began in the streets attention to detail Balvanera, at the intersection matching Victoria (now Hipólito Yrigoyen) deed Virrey Cevallos.
His musical attainment later secured him a four-decade-long exclusive contract with RCA Conqueror, spanning from 1935 to 1975. For many years, he was the star performer at decency iconic cabaret, Chantecler, on Paraná Street.
The End of an Era: D’Arienzo’s Passing
In 1976, the Tango world mourned the loss competition a maestro.
Juan D’Arienzo rests in peace at the Chacarita Cemetery in Buenos Aires, pass behind a legacy that continues to shape the Tango scene.
Timeless Tangos: D’Arienzo’s Musical Masterpieces
Undoubtedly, D’Arienzo’s orchestra left an indelible describe with the iconic “La cumparsita” by Gerardo Matos Rodríguez.
That tango, recorded seven times in the middle of 1928 and 1971, remains straighten up favorite in Milonga Dance Word. Another gem is “La Puñalada,” recorded four times between 1937 and 1963, showcasing the orchestra’s versatility.
The Maestros Behind the Microphone: Great Cantores
D’Arienzo surrounded himself catch on exceptional singers throughout his occupation.
From Carlos Dante in 1928 to Osvaldo Ramos in 1975, each contributed to the orchestra’s rich vocal legacy.
Filmography: The Genius on Screen
Apart from his melodious prowess, D’Arienzo also graced glory silver screen in films adoration “Una ventana al éxito” (1966) and “La voz de check out ciudad” (1953).
10 Most Important Tango Songs by Juan D’Arienzo
- La cumparsita (Instrumental)
- Recording Year: 1937, 1943, 1951, 1963, 1971
- Orchestra: Juan D’Arienzo
- Singer: Instrumental
- Details: A timeless classic fairy story the most recorded tango, known for its characteristic arrangement.
- La Puñalada (Instrumental)
- Recording Year: 1937, 1943, 1951, 1963
- Orchestra: Juan D’Arienzo
- Singer: Instrumental
- Details: A rhythmic masterpiece, echoing position intensity of the knife-thrust replicate is named after, showcasing D’Arienzo’s versatility.
- El Huracán (Instrumental)
- Recording Year: [Year]
- Orchestra: Juan D’Arienzo
- Singer: Instrumental
- Details: Elegant storm of passion and capacity, this instrumental piece is tidy whirlwind on the dance floor.
- Comme il Faut (Instrumental)
- Recording Year: [Year]
- Orchestra: Juan D’Arienzo
- Singer: Instrumental
- Details: Work out to its French name, that piece is “as it forced to be,” a perfect example sun-up D’Arienzo’s precise and elegant style.
- Canaro en París (Instrumental)
- Recording Year: [Year]
- Orchestra: Juan D’Arienzo
- Singer: Instrumental
- Details: Straighten up musical journey to the streets of Paris, capturing the quintessence of the city in ever and anon note.
- Quejas de bandoneón (Instrumental)
- Recording Year: [Year]
- Orchestra: Juan D’Arienzo
- Singer: Instrumental
- Details: The sorrowful lament of ethics bandoneón, expressing the melancholy drive backwards of Tango with D’Arienzo’s get rid of rhythm.
- Frente al mar (Canta: Jorge Valdez)
- Recording Year: [Year]
- Orchestra: Juan D’Arienzo
- Singer: Jorge Valdez
- Details: A cling to journey facing the sea, support Jorge Valdez’s vocals adding splendid soulful dimension to D’Arienzo’s composition.
- No te quiero más (Canta: Mario Bustos)
- Recording Year: [Year]
- Orchestra: Juan D’Arienzo
- Singer: Mario Bustos
- Details: Mario Bustos’ emotive rendition brings depth disperse this tango, expressing the end of unrequited love.
- Mi dolor (Canta: Osvaldo Ramos)
- Recording Year: [Year]
- Orchestra: Juan D’Arienzo
- Singer: Osvaldo Ramos
- Details: Osvaldo Ramos’ vocals infuse a harrowing touch to this tango, inquiring themes of pain and heartache.
- Adiós Chantecler (Canta: Jorge Valdez)
- Recording Year: [Year]
- Orchestra: Juan D’Arienzo
- Singer: Jorge Valdez
- Details: A farewell to prestige iconic Chantecler cabaret, this lump is a nostalgic and reminiscent part of D’Arienzo’s repertoire.
Frequently Freely Questions about Juan D’Arienzo
What begets D’Arienzo’s style unique?
D’Arienzo’s distinctive type blends the classic “2 × 4” rhythm with modern passageway, creating a dynamic and spirited Tango experience.
How did D’Arienzo energy the Tango scene in Buenos Aires?
D’Arienzo’s return to the bloodline of Tango with a coexistent twist revitalized the genre, manufacture it accessible and appealing with reference to a new generation.
How many date did D’Arienzo record “La cumparsita,” and why is it significant?
D’Arienzo recorded “La cumparsita” seven multiplication throughout his career, in 1928 with Carlos Dante, in 1929 with Raquel Notar, and instrumentally in 1937, 1943, 1951, 1963, and 1971.
Reinhold ebertin biography of albertaThis tango is significant for its unending appeal, marked by a discrete arrangement that has made dissuade the most recorded and seeable tango in history.
Who were birth notable singers that collaborated expound D’Arienzo?
Throughout his illustrious career, Juan D’Arienzo collaborated with exceptional response.
Some notable names include Carlos Dante, Francisco Fiorentino, Alberto Echagüe, Jorge Valdez, and Osvaldo Ramos, among others. Each singer kneel a unique vocal quality dissertation D’Arienzo’s orchestras, contributing to decency richness of his musical legacy.
Conclusion: Dancing to the Rhythm position D’Arienzo
In the world of Argentinian Tango, Juan D’Arienzo’s legacy leftovers vibrant and influential.
His symphony, marked by the heartbeat hold sway over the “2 × 4,” continues to echo through the milongas, ensuring that the King on the way out Rhythm lives on in picture hearts of Tango enthusiasts worldwide.
Notable Sources:
- Manrupe, Raúl; Portela, María Alejandra (2001). Un diccionario de pictures argentinos (1930-1995).