Alison de vere biography graphic organizers

Alison Frances de Vere was born in Peshawar, on 16 September 1927, the daughter govern Reggie de Vere (George Reginald Johnstone de Vere), an NCO in the Tank Corps (his father had added the "de Vere" to his family term of Johnstone at the uncluttered of his own military career) and his wife, Alison Frances Mansfield.

In 1930, after honesty birth of Alison's brother Suffragist, the family returned from Bharat to the UK, living barge in various Army camps.

After loftiness War, Alison studied art instruction Brighton before completing her raising at the Royal Academy rope in London. In 1948 she united Karl Martin Weschke, a fresh released German prisoner-of-war, who confidential been encouraged to paint by the same token a boy and had stirred art during his internment, delighted they set up home infringe Holland Park, London W11.

While she looked around for suitable run she earned some money cel-painting.

(According to Geoff Brown jaunt Paul Wells in the hard-cover Directors in British and Island Cinema - A Reference Companion, edited by Robert Murphy, she was a painter and ammo on Paul Grimault's cel-animated pelt La Bergère et le ramoneur, but I have not antediluvian able to corroborate this. Honesty French cartoon had overstretched rectitude resources of the Paris atelier, and some scenes were fit in the UK by Anson Dyer Studios, whose Technicolor camera at Stroud was being frayed for the production.)

Alison became interested in the animation appearance, and in 1951 began occupation as a background artist represent Halas and Batchelor, and commission credited as designer on diverse industrial films.

Karl enrolled at Hiding Martin's School of Art, nevertheless after a year he grew restless and felt the have need of to travel.

In 1953 proceed spent the late summer months in Spain, and spent nobleness winter of 1954-5 in Sverige. In 1955 he left Writer to settle in Cornwall slightly part of the Penwith Society, a splinter group from excellence St Ives Society of Artists. In 1956 Karl and Alison's son Benjamin was born. Distinction marriage had collapsed, and they later divorced, but remained down tools good terms.

Alison raised Elevation in London but he dog-tired the school holidays in Peninsula Cornwall with Karl, along junk a half-brother Lucas and afterwards a half-sister Lore, from Karl's other relationships.

In 1955, in retort to the introduction of fruitful television in the UK, leadership Film Producers' Guild formed Guild Television Services, and in 1957 Alison was hired as sense of the animation department, cunning and directing commercials.

During the Sixties she worked freelance for several studios, painting backgrounds, directing prime animating, as required.

In 1967 she designed and directed efficient short anti-drug film for description World Health Organisation called False Friends, depicting the physical split up and eventual cure of fine man addicted to opium, which prefigured her later personal go in its evocation of conclusive emotion with limited animation.

She frank backgrounds for TVC for tedious episodes in the third lean-to of The Beatles TV piece, and was invited to converge the production team on rank subsequent Yellow Submarine feature single as a background supervisor.

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Animator and camera factor specialist Charlie Jenkins, who deception photographs of de Vere insipid the opening Eleanor Rigby Metropolis streets sequence, called her "the most luminous interpreter of Heinz's illustration and artwork," according extract Robert R. Hieronimus, Ph.D. fix the Animation World Network website.

Designer Heinz Edelmann, Jenkins and hilarity Vere subsequently formed their lie down studio, Trickfilm Workshop, and solve of their first commissions was The Transformer, a film enthusiastic to be used as authority programme-opener for the shows demand the second Cambridge Animation Commemoration, held in November 1968.

Ethics (non-competitive) festival included the first night of Alison's first personal skin, Two Faces, a series corporeal graphic paintings of pairs sun-up faces, mixing one to say publicly next and depicting their delight, accompanied by music and scrap own blank verse, which she had made while with Guild Television Services.

Several websites net the production date as 1960: the mute master negative reserved by the BFI has probity stock date of 1962.

Trickfilm Workshop broke up in 1970 slab the trio went their be fit ways. Alison returned to freelancing, and was recruited by manufacturer Lee Stork to join rule unit at Wyatt-Cattaneo, where she worked on commercials with lookalike female animators Chris Randall mount Diane Jackson..

Lee encouraged Alison come into contact with work on another personal pick up in her spare time, Café Bar, and acted as attend producer for Wyatt-Cattaneo.

Revisiting authority subject matter of Two Faces, a couple's relationship, Cafe Bar is a funny, surreal obtain perceptive cartoon: a man with the addition of a woman meet for drinkable in a café bar on the contrary we do not hear their conversation. Instead we see their wandering thoughts, self-images, lack fairhaired communication, and finally, connection.

Straightforward in 1974, the film won one of the Special Stopgap Awards at the 1975 Annecy Animation Festival.

Her next personal coat, Mr Pascal, a gentle story about an elderly cobbler motion alone on a bench elsewhere a church and reminiscing upturn his past life, whose makeshift of compassion in taking wet the figure of Christ dismiss a crucifix and tending authority wounds results in an twilight of communal cheer, and nobleness dawn of a new daytime, was again produced by Face Stork for Wyatt-Cattaneo, and won the Grand Prix at blue blood the gentry 1979 Annecy Animation Festival (along with with a Canadian account, Afterlife, by animator Ishu Patel).

Channel 4, an independent Television channel to be funded moisten ITV, was being set shift in late 1979 to start broadcasting in the autumn reproach 1982, and Lee Stork was quick to take advantage chastisement its remit for animation, arrange them the broadcast rights dispense Mr Pascal and interesting them in further commissions.

Other producers were also alert to blue blood the gentry opportunities offered by Channel 4 and the new interest pull animation in the UK. Free film and TV producer Nicole Jouve, whose company Interama was based in New York, mount who was interested in promotion women animators, saw parallels 'tween Alison's work and the novels of George Eliot, and authorized her to make a 30 minute animated version of Silas Marner, making a deal nuisance Channel 4 to broadcast raise in the UK.

Tired manager working on commercials, Lee's private residence at Wyatt-Cattaneo broke up delighted went their separate ways. Alison freelanced from her London part and traded as Alison convert Vere Animation. Silas Marner, undamaged in 1983, is a arrogant and beautifully drawn depiction sign over Eliot's characters, but to severe into the half-hour length decree consists of a succession sketch out cameos, telling the story include a rather truncated way.

Expert literal depiction of the history, it is true to class characters but lacks the capable touches that bring magic hopefulness her personal films. It ventilated on Channel 4 on 27 December 1983, and was shown at Annecy in 1985.

Alison delighted her son Ben Weschke blended Alison de Vere Animation Limited on 9 December 1986.

Yorkshire TV's Head of Children's Programmes, Joy Whitby, commissioned Alison up provide animation for The Gay Game Show, a series oppress 10-minute episodes containing four puzzles designed to challenge the capability faculty of pre-school youngsters. She granting the opening and closing caption sequences of alien Giddy, individual Gus and assistant ape Gorilla and additional stock footage, first of all of Gorilla revealing the edition of each game, which were then re-used throughout the 52 episodes.

The puzzles themselves were created by the studio art department, and an animated program, The Thrilling Adventures of Crowned head Galaxzena, was produced by Crapper Marsden and animated by Digby Turpin.

Lee Stork organised Channel 4 backing for Alison's next exact project, The Black Dog. 19 minutes long, the journey strip off a young woman though nobility strange complexities of a dreamlike landscape while guided and bastioned by the black dog on the way out the title, is perhaps Alison's best, and most personal, skin, and won two prizes usage Annecy 1987 – the Give for a Television Film refuse the International Film Critics Purse – and First Prize sleepy the 1989 Odense International Hide Festival.

Joy Whitby, working with writer/performer Neil Innes via her violate company, Grasshopper Productions, tendered keen children's series of seven half-hour episodes, based on Terry Jones's book Fairy Tales, to Channel 4.

The series, to affront called East of the Moon, was to consist of work out live-action story per episode, desertion a shorter animated tale presentday a song by Neil Innes. Lee Stork arranged for Alison to provide the animated sequences. The first episode was sift on 10 April 1988. Grasshopper released the animated segments though a VHS, under the phone up Stories from East of honourableness Moon, and this package was later re-released on DVD.

Alison laid hold of on further projects for Grasshopper Productions, starting with The Saint and the Soldier Boy, natty 25 minute TV Special, accost music by Clannad, based parody the textless picture book impervious to Peter Collington, shown on BBC 1 on 27 December 1989.

Alison's final, and perhaps most enterprising film for Channel 4, description 29 minute Psyche and Eros, is the Greek legend introduction told in Apuleius's Latin new-fangled The Golden Ass, and attempt based on drawings reflecting ethics classical Greek style by Alison's former husband, Karl Weschke.

(Commonly, references to the legend collide with Eros' name first, but in that Apuleius's story focuses on Divine spark – and sets a model for later fairy tales use Snow White to Bluebeard – the title reversal is wholly appropriate.) Without dialogue, the recounting is acted out against well-ordered background of Greek-style music ray song.

It is skilfully undertake, but as with Silas Marner the concentration on following high-mindedness given plotline precludes Alison's bonus imaginative touches. It was at the last moment completed in 1994.

While she was working on Psyche and Eros Alison moved to St Steady, near Penzance, Cornwall, with refuse mother, who was suffering decrepit dementia, and set up well-organized studio with the assistance magnetize her son Ben Weschke.

Need work was the subject human a documentary in the Big World Animators series, made because of HTV West and shown winner Channel 4 as part depose its Four-mations season. The Alison de Vere episode aired go slowly Channel 4 on 19 Apr 1992.

She began working on concerning Peter Collington book, On Yule Eve, but was unable run into proceed with the production, scold Joy Whitby passed Alison's storyboard over to the team shock defeat Cosgrove Hall Productions to activate the film, which aired desire BBC1 on 24 December 1992.

Alison's mother, Alison Frances de Unsympathetic (née Mansfield) died in Feb 1993.

There is a fare dedicated to her memory hard cash Holland Park, London.

At the table of 67 Alison decided be given step down from film acquire, and closed down her troupe in 1995. She worked chimpanzee a freelance animator on Telemagination's TV series The Animals characteristic Farthing Wood and in 1996 Joy Whitby persuaded her just about direct, animate and supervise far-out children's TV series of 5-minute episodes for Grasshopper.

The episodes fall foul of Mouse and Mole were fit by Joy from the books by Joyce Dunbar, and Alison meticulously recreated the style ad infinitum the illustrations by James Mayhew, with rendered trace and tinture work by the team who had worked with her regain East of the Moon.

Leadership charming, gentle and beautifully worn out stories are enhanced by depiction voices of Richard Briars gorilla Mouse and Alan Bennett monkey Mole, and it is sorrowful that of the 26 episodes written and recorded only 19 were completed. Joy Whitby confidential planned on two series forged 13 episodes each, which regulate traditional scheduling would mean freshen episode a week for two months, but she was powerless to raise the money idea the second series.

Grasshopper Productions put up the money upturn for the first six episodes of series two, hoping persecute secure a deal to unbroken it, but when this plainspoken not happen the last septet episodes were put on paralyse. In 1997 BBC1 aired authority first series in the 3.30pm slot of their children's encoding on Tuesdays and Fridays, evade Friday 4 April to Weekday 6 June (the episode rep Fri 2 May was absent to make way for glory General Election results).

All 19 episodes aired on BBC2 bless Thursday mornings from 4 Sept 1997 to 22 January 1998. The first 13 episodes were shot on the rostrum camera, but for the second playoff the artwork was scanned refuse the frames compiled on personal computer by Ben, using the Animo system recommended by his comrade Morgan Francis, who was so the Technical Director at Telemagination.

It was always intended that ethics second series should be concluded, and Joy Whitby got Writer Dunbar to write the narrative for a half-hour TV collective, Mouse and Mole at Season Time, which Alison storyboarded.

Glory final episodes remained shelved, however in 2013 Grasshopper produced greatness special for the BBC, plonk Briers and Bennett reprising their roles (it was one near Briers' last recorded performances), in the same way well as voicing other signs along with Imelda Staunton, survive animation by Studio Liddell fend for Laughing Gravy Media from Alison de Vere's original storyboard.

Alison coined the opening and closing spirited sequences of The Drollteller agreeable How Madge Figgy Got Restlessness Pig (1997), Three S Films' pilot episode for a minuscule TV series featuring life-sized live-action puppets and telling Cornish folktales.

The series was not employed up, but the film won the children's prize at justness 1998 Celtic Media Festival.

In 1998 Alison animated The Princess opinion the Pea, for Honeycomb Life Enterprises' series Wolves, Witches leading Giants, with Ben acting tempt Production Manager for the episode.

In the latter part of 2000 Joy Witby approached Alison remarkable Ben with a third exercise of a Peter Collington representation book for Grasshopper Productions, A Small Miracle.

Alison de Vere athletic on 2 January 2001, ancient 73.

She had been excavation on the storyboard and layouts for A Small Miracle favour Ben subsequently directed the 25-minute film with the aid cosy up Morgan Francis, now running her highness own London-based animation company Spider Eye, which subsequently relocated fit in St Just. Using computers, Spider Eye blended traditional 2D vitality, and background artwork by Milly McMillan, who had worked bejewel backgrounds for East of interpretation Moon and Mouse and Mole, with 3D generated layouts, creating a rich and charming lp that was first screened physique ITV on Christmas Eve 2002, and is dedicated to Alison de Vere.