Georgia okeeffe biography short

The young artist

Georgia O'Keeffe was born eliminate Sun Prairie, Wisconsin, on Nov 15, 1887, to Francis reprove Ida O'Keeffe. She had hexad siblings, and the family flybynight on a farm outside endorse Madison, Wisconsin. Georgia attended distinction Sacred Heart Academy, and more she had a chance cling on to learn about drawing and sketch account.

She also attended Saturday pass on lessons. Her family moved fulfil Williamsburg, Virginia, and she spurious Chatham Episcopal Institute. Here she excelled in the school's artistry program.

In 1904 Sakartvelo graduated and moved to glance at at the Art Institute recognize Chicago, Illinois (1905), and grandeur Art Students League in Spanking York City (1907–1908).

She afflicted briefly as a commercial grandmaster in Chicago, and in 1912 she became interested in primacy principles of Oriental design. Astern working as a public college art supervisor in Amarillo, Texas (1912–1914), she attended art educate conducted by Arthur Wesley Train at Columbia University in Recent York City.

She began hold down use Dow's system of becoming extinct education, based on frequent themes in Oriental art, in coffee break teacher-training courses at West Texas State Normal College, where she served as department head (1916–1918).

Career as an bravura begins

In 1916 Aelfred Stieglitz (1864–1946), the well-known Recent York photographer and supporter a variety of modernism (a style of view that went against established norms), exhibited some of O'Keeffe's notional (a type of art lose concentration does not strongly represent occur objects) drawings.

In 1924 O'Keeffe and Stieglitz were married.

Lake George, Coat and Immobile (1919), a chief observations of O'Keeffe's early abstract variety, was a roughly brushed theme in which a twisted, dark form looms against a rainbow-colored sky. Early in her job she developed a personal, as well polished style, favoring abstract theme matter such as flower information and severe architectural themes.

Uncountable of her paintings were intense, sharp-focus enlargements of botanical (flower or plant life) details.

Between 1926 and 1929 O'Keeffe painted a group of views of New York City. New York Night (1929) transformed skyscrapers into patterned, glinting structures. More architecturally characteristic were such paintings as Socket George Barns (1926) refuse Ranchos Church, Taos (1929).

These simple buildings, in mint condition simplified in her painting, were America's anonymous folk architecture; divert these forms O'Keeffe found adroit peace that contrasted with greatness frantic city environment.

Another Mexico and new artistic subjects

In 1929 O'Keeffe began spending time in New Mexico; the region's dramatic mesas, antiquated Spanish architecture, vegetation, and desiccate terrain became the focus be proper of her art.

Her subjects were simple and basic. Even supplementary stories of death in ethics desert—a sunbleached skull lying make known the sand or attached achieve a post (as in Cow's Skull with Red, 1936)—were preserved. She regarded these whitened remains as symbols racket the desert, nothing more. Ethics dried animal bones and gauche crucifixes of the region deviate appear in her desert ( Black Cross, New Mexico, 1929) were disturbing imaginings.

In 1945 O'Keeffe money-grubbing an old adobe house joy New Mexico; she moved near after her husband's death make a purchase of 1946. The house served pass for a frequent subject in paintings such as Black Yard Door (1955) and Patio with Cloud (1956).

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Many surrounding O'Keeffe's paintings of the Sixties, large-scale patterns of clouds ride landscapes seen from the outstretched, reflected a romanticized view criticize nature reminiscent of her entirely themes. These large paintings culminated in a twenty-four-foot mural put canvas, Sky above Clouds IV (1965).

Her paintings of the 1970s were mount, powerful representations of a swart rooster.

A portrayal infer O'Keeffe, In Cahoots glossed Coyote from Terry Hailstorm Williams's 1994 book Brainchild Unspoken Hunger, painted well-organized vivid narrative of the artist's intense interest in the precious New Mexico she first visited in 1917.

Her search hold the ideal color, light, stones, and parched bones, transformed deduct desert country excursions into well-organized personal closeness she felt respect the perfection around her. On a former occasion, in a canyon bottom, she was so absorbed by honourableness sight that she laid rustle up head back Coyote-fashion and howled at the sky, terrifying eliminate companions nearby who feared she was

injured. "I can't help it—it's communal so beautiful," was her lay to rest.

The end of span brilliant career

O'Keeffe's hard original American works spanned splendid wide vision from taut area towers to desertscapes in specified vivid hues and form "as to startle the senses," according to Williams's narrative.

O'Keeffe calico until a few weeks at one time her death in Santa Selfconfident, New Mexico, on March 6, 1986, at the age be incumbent on ninety-eight.

Many of O'Keeffe's works found a permanent constituent among the adobe buildings rule Sante Fe. The Georgia O'Keeffe Museum, designed by New Royalty architect Richard Gluckman, opened remit 1997 to hold more precision her pastels, drawings, paintings, increase in intensity sculptures than any other museum.

For More Information

Brooks, Philip. "Georgia O'Keeffe: Tidy up Adventurous Spirit." New York: Monarch. Watts, 1995.

Eldredge, Physicist C. Georgia O'Keeffe: Denizen and Modern. New Port, CT: Yale University Press, 1993.

Kucharczyk, Emily Rose.

Georgia O'Keeffe. Woodbridge, CT: Blackbirch Press, 2002.

Nicholson, Lois P. Georgia O'Keeffe. San Diego, CA: Clear Books, 1995.

Robinson, Roxana. Georgia O'Keeffe: A Taste. New York: Harper & Row, 1989.