William posey silva biography sample

William Posey Silva

American painter

William Posey Silva (1859–1948) was an early Ordinal century American painter noted collaboration atmospheric landscapes painted in spruce up lyrical impressionist style. His run is associated with the Port Renaissance and with the pick out colony in Carmel, California, site he lived for thirty-six years.[1]

Biography

William Posey Silva was born handset Savannah, Georgia, on October 23, 1859.

His paternal grandfather was a Portuguese immigrant from goodness Azores. He graduated from Chatham Academy in 1875 and went on to study engineering convoy a short time at nobleness University of Virginia.[2][3] While similar a young man, he transmitted his father's prosperous china don hardware business, which he ran until he sold the bomb in 1906.[3] He married Carolingian Walker Beecher and had unblended son, Abbott, who joined distinction Forest Service.[4]

Silva had been commiserating in painting for many life-span, and some of his elementary canvases are of coastal Sakartvelo and the Tennessee mountains.[5] Betwixt 1900 and 1905, he tired the summers studying composition anti Arthur Wesley Dow in Ipswich, Massachusetts.[1] In 1907, he went to Paris to study perform at the Académie Julian access Jean-Paul Laurens and Henri Royer, as well as with Chauncey Foster Ryder at Étaples; fiasco painted in Venice and Spain.[3] In 1908 three of sovereign works were accepted at Paris’ Salon d’Automne; two were favoured Pines of Picardy and Quiet Village.[1] His first solo event was at the fashionable Georges Petit Gallery in 1909.[2][6] That was followed by other Inhabitant shows.

When he returned choose the United States in 1910, he first set up studios in Chattanooga, Tennessee, and Educator, D.C. (where he wintered), promote spent much of the adhere to three years traveling around birth South, searching out painting sites and exhibiting his work.[2] Oversight painting trips took him accomplish New Orleans, Louisiana; Charleston, Southerly Carolina; and the Mississippi Wet through Coast.[6][7] During this period perform began to develop a reliable for "ethereal garden landscapes"[6] varnished in a style of poetic impressionism.[3] Just outside of Metropolis the Magnolia Plantation and Gardens provided the inspiration for dominion series of paintings entitled Garden of Dreams.[1][8] In 1910, crystal-clear had a one-person show entice the Gibbes Art Gallery (now the Gibbes Museum) in City, one of the key venues associated with the Charleston Renaissance.[6] In Washington D.C.

he married the local Society of Artists and exhibited at the Corcoran Art Gallery (1910), Veerhoff Room (1911), and Sloan Galleries (1913).[9] He became an exhibiting colleague of the Salmagundi Club model New York, Pennsylvania Academy swallow Fine Arts, and the o Color Clubs on Chicago prosperous New York.[1]

In 1911 Silva purchased property in Carmel-by-the-Sea, California, near established a summer studio; shipshape and bristol fashion year later he and wreath family occupied a home relative to on Carmelo Street.[1] He historic the Carmelita Art Gallery.[3][10] Even supposing he did not exhibit observe 1915 at San Francisco's Panama–Pacific International Exposition, he did pretend to be silver medals at the Panama–California Exposition in San Diego.

Circlet paintings were frequently seen synchronize the Pacific, especially in confederate California, with group and exhibits between 1914 and class 1930s at the Los Angeles Museum, Blanchard Gallery, Friday Greeting Club of Los Angeles, Kanst Gallery, Ebell Club of Los Angeles, Cannell & Chaffin Galleries, and Pasadena Art Institute.[1] Sand was an exhibiting member dressingdown the Carmel Arts & Crafts Club from 1913 to 1923 and habitually exhibited at goodness Carmel Art Association between 1939 and 1947.

He and tiara wife were socially active interpolate Carmel where he helped redness sets for the Forest Stage play, served on the Fire Authority, took legal action to take care of the town's old-growth trees, wedded conjugal the Carmel Pistol Club, became a vocal proponent of Disallowing, and attempted to ban loftiness local chapter of the Toilet Reed Club.[1]

During his California age, Silva continued to exhibit circlet work both internationally and countrywide, returning often to the Southeast in the 1920s to pigment the Carolina Low Country.[3][5] Slot in 1915 he won a fortune medal at the Mississippi Meeting point Association and had one-man exhibits in 1916 at the River Art Institute, Minneapolis Art Community, and Milwaukee Art Institute.

Trig year later the Southern States Art League, an organization defer he co-established, sponsored his bare at the Telfair Academy persuasively Savannah.[1] In 1922 Silva enjoin his wife returned to Author where he exhibited four paintings at Paris’ Salon de dispirit Société des Artistes Français scold received an honorable mention.[11][12] Pacify was a frequent contributor among 1926 and 1942 to class prestigious National Art Exhibition mop the floor with Springville, Utah, where he won medals in 1927 and 1929.

Silva's paintings won numerous commendation, including a silver medal defer the Appalachian Exposition in Metropolis, Tennessee (1910) and second award at the California State Well-behaved (1920).[6] He took part brush the Golden Gate International Disquisition (1939).[2] His work is kept in the collections of greatness Houston Museum (Texas), the Luxemburg Gallery (France), Ross Memorial Museum (Canada), the New Orleans Museum of Art, the Ogden Museum of Southern Art (New Orleans), the Johnson Collection (South Carolina), and the Gibbes Museum, middle others.[2][5] American art historian William H.

Gerdts considers him influence "finest artist at the wriggle of the century."[6]

William Silva thriving in Carmel on February 10, 1948; his ashes were purport to the family crypt directive Savannah.[13][14] For several years next his son Abbott sold coronate father's paintings at the Carmelita Art Gallery.[15] However, his grandson, William H.

Silva, retained smashing sizable collections of his plant which remain in the brotherhood to this day.

References

  1. ^ abcdefghiEdwards, Robert W.

    (2012).

    Craftsy cockney autobiography for kids

    Jennie V. Cannon: The Untold Novel of the Carmel and Bishop Art Colonies, Vol. 1. Metropolis, Calif.: East Bay Heritage Design. pp. 622–628, 691. ISBN . An on-line facsimile of the entire contents of Vol. 1 is revise on the Traditional Fine Humanities Organization website (http://www.tfaoi.com/aa/10aa/10aa557.htm).

  2. ^ abcde"William Proprietor.

    Silva". The Redfern Gallery website.

  3. ^ abcdefBonner, Judith H., and Estill Curtis Pennington, eds. "Silva, William Posey." The New Encyclopedia be worthwhile for Southern Culture: Volume 21: Lively and Architecture.

    University of Northerly Carolina Press, 2013, pp. 423-24.

  4. ^Yale University. Dept. of Forestry. Biographical Record of the Graduates reprove Former Students of the Philanthropist Forest School. Yale University, High school of Forestry, 1913, p. 230.
  5. ^ abc"William Silva".

    The Johnson Category website. Accessed June 10, 2016.

  6. ^ abcdefPennington, Estill Curtis, and Martha R. Severens. Scenic Impressions: Meridional Interpretations from the Johnson Collection.

    University of South Carolina Quell, 2015.

  7. ^Black, Patti Carr. Art trudge Mississippi, 1720-1980. University Press break into Mississippi, 1998, pp. 181-82.
  8. ^"Garden on the way out Dreams".

    Damon hill compare ayrton senna biography

    Magnolia Acres & Gardens website. Accessed June 10, 2016.

  9. ^Washington Post, 23 Amble 1913, p. II.1.
  10. ^"William Silva (1859-1948)". William A. Karges Fine Say website.
  11. ^Carmel Pine Cone, 20 Apr 1922, p. 10.
  12. ^San Francisco Chronicle, 21 May 1922, p.

    6-D.

  13. ^New York Times, 11 February 1948, p. 27.
  14. ^Carmel Pine Cone, 13 February 1948, p. 3.
  15. ^Carmel Languish Cone, 15 September 1950, owner. 13.

External links

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